Contact: Golda Solomon, 877-529-9528,
or gs@goldajazz.com
For immediate release
Poetry
in Partnership with Jazz
Po’Jazz, the one-of-a-kind jazz and poetry series, is proud to
present the multitalented jazz pianist Joe
Vincent Tranchina and spoken rhythm artist
“The
Medicine Woman of Jazz,” host and poet Golda Solomon will also be joined by the
inventive poet Monique Avakian, gifted
singer-songwriter Emily Cowings, and the versatile Ila Cantor Quartet (Ila Cantor, guitar,
Eliot Cardinaux, piano, Adam
Chilenski, bass,
and Bram Kincheloe, drums).
The president and founder of Poet’s Corner says of Golda, “Her poetry has a rhythm and spontaneity that
goes right to the heart. Golda Solomon has found her perfect accompaniment in
jazz.”
Joe Vincent Tranchina is an outstanding
pianist, composer, arranger, and accompanist who has
been recognized for the past seven years by ASCAP’s “Popular Music Award” for
performances of original jazz compositions.
Gladys Serrano of Mutable
Music says, “Po’Jazz at
This
performance is part of a third Thursday of the month poetry and jazz series at
The Cornelia Street Café programmed by ICAAN co-founder Golda Solomon in
association with JazzJaunts (www.jazzjaunts.com). Dedicated to the belief that the arts are
vital for tapping into processes needed for individual healing and community
building, ICAAN (Interactive Communication and Arts Network) provides on-site
arts programming to workplaces, schools and other organizations. For more information about ICAAN, call
877-529-9528 or visit www.icaan.biz.
The Café is located at
The Cornelia Street Café poetry
series is curated by Angelo Verga. The next event
in this series will be held on Thursday, July 15th, from 6 until 8.
Artist bios follow; e-mail info@icaan.biz for photos.
About
the Artists
Monique Avakian, poet,
regularly performs her “musical,” “inventive,” and “off the hook” poetry around
Ila Cantor’s unique and versatile guitar playing has led to gigs
in New York, New Jersey, Boston and Barcelona, at jazz clubs, restaurants, and
private parties, playing with jazz duo, trio, and larger combos, as well as
playing solo jazz guitar and other styles of music such as Spanish boleros,
classical, and rock. She debuted at the
Iridium with Les Paul in July of 2002. Ila has trained in classical and
jazz with Bob Hansmann for over four years. Currently at the New School jazz program, she
has studied under several masters, at Berklee School
of Music, New School University, and privately; with Rory Stewart, John Scofield, John Abercrombie, Melvin Sparks and Kurt Rosenwinkle, among others.
Eliot Cardinaux, piano
(Ila Cantor Quartet), is currently a first year jazz
piano student at the Manhattan School of Music. He was born in
Adam Chilenski, bass (Ila Cantor Quartet), is excited to be living in
Emily Cowings is a
prolific songwriter and gifted singer.
She composed her first song, “Business Man,” at the age of 16, and made
her debut at
Bram Kincheloe, drums (Ila Cantor Quartet),
has been playing music all of his life, starting drum lessons at the age of
five and taking piano lessons from his mother.
He has toured
Golda Solomon, “the medicine woman of jazz,” is a professor of
communications, speech, and theater arts; a poet, performer, producer, and
docent; a supporter of women musicians as well as young musicians, poets, and
performers. She was project director of Po’Jazz at The Hudson Valley Writers’ Center for four
years, and co-founded the brooklyn
poetry choir. Golda has pioneered
several unique businesses including JazzJaunts, a personalized jazz service, and, with Barbara Sfraga, ICAAN (Interactive Communication and Arts Network),
which provides innovative, on-site, organization-specific arts programming to
workplaces, schools, and other organizations. Golda has a collection of poetry, Flatbush Cowgirl, published in 1999, for which
she co-produced a companion CD, First Set.
She also co-produced the CD Po’Jazz: Takin’ It To The Hollow, which includes over 20 poets and
musicians. In 2002, Golda's poetry won
first prize at the Writer's Workshop in
Joe Vincent Tranchina, piano, has been recognized for the past seven
years by ASCAP’s “Popular Music Award” for performances of original jazz
compositions and twice honored by the