Contact:  Golda Solomon, 877-529-9528, or gs@goldajazz.com

  Cornelia Street Café: corneliastreetcafe@earthlink.net

For immediate release

 

 

Po’Jazz at The Cornelia Street Cafe

Poetry in Partnership with Jazz

Thursday, August 19TH, 2004  6 - 8 p.m.

 

Xuba Trio marks the spot at Po’Jazz, the one-of-a-kind jazz and poetry series, in its third Thursday evening of the month slot on August 19th Downstairs at The Cornelia Street Café.  The downstairs room opens at 5:30 for early dining and imbibing (serving the same fine food as upstairs).  Admission is $15 ($13 students/seniors), which includes one drink.

Host Golda Solomon, “The Medicine Woman of Jazz,” is delighted to welcome Xuba Trio, featuring Joe Exley on tuba, Dawoud on sitar, and William Ruiz on percussion.  Golda, who will have just returned from a pair of performances in Denver, Colorado, will present her unique brand of jazz-flavored poetry.  She also appeared recently at the 92nd Street Y’s Makor Marathon and at Mamapalooza 2004 at the Bowery Poetry Club.  Golda’s poetry has been described as having “a rhythm and spontaneity that goes right to the heart… (She) has found her perfect accompaniment in jazz” (Madeline Peters, President and founder of Poet’s Corner).

Xuba is an experimental free form trio.  In his quest to liberate the tuba from its oompah-roots, Joe Exley has reinvented and harnessed this powerful brass beast – combining it with drums, organ and various world instruments.  He is joined in this performance by William Ruiz with his crowd-pleasing tribal drum set and 12-tongued modern Log drum, and sitarist Dawoud, whose music has been described as “a soulful ignition of jazz rhythms and blues infused with East Indian and African hypnotic sounds (Heather Covington, Disilgold Publications).

Po’Jazz is increasingly becoming “the place to be” every third Thursday.  Gladys Serrano of Mutable Music says, “Po’Jazz at Cornelia Street is one big friendly party of good words, good sounds, and good food.”  Performances are currently being recorded live for a new CD (expected release summer 2005).

This performance is part of a third Thursday of the month poetry and jazz series at The Cornelia Street Café programmed by ICAAN co-founder Golda Solomon in association with JazzJaunts (www.jazzjaunts.com).  Dedicated to the belief that the arts are vital for tapping into processes needed for individual healing and community building, ICAAN (Interactive Communication and Arts Network) provides on-site arts programming to workplaces, schools and other organizations.  For more information about ICAAN, call 877-529-9528 or visit www.icaan.biz.

The Café is located at 29 Cornelia Street, Greenwich Village, NYC.  Po’Jazz events take place in the café’s downstairs performance space.  By subway, take the A, C, E, F or V train to West 4th Street, or the 1 or 9 train to Christopher Street - Sheridan Square (walk 21/2 blocks east on West 4th and make a right onto Cornelia Street.)  By car, take 7th Avenue south to Bleecker; left on Bleecker; left onto Cornelia.  For more information, visit www.corneliastreetcafe.com, or call 212-989-9319.

The Cornelia Street Café poetry series is curated by Angelo Verga.  The next event in this series will be held on Thursday, September 16th, from 6 until 8.

 

Artist bios follow; e-mail info@icaan.biz for photos.

 

 

About the Artists

Dawoud is a sitarist, guitarist, composer, improviser, performer, and poet.  He has formulated an approach to music that employs elements of diverse music from India, Persia, Africa, etc., both modern and ancient, within a context of jazz (especially modal and free), blues, trance, hip hop, and other American forms, calling it Mystic Jaz.  Dawoud’s earliest musical influence was Jimi Hendrix, later expanding his listening tastes to include jazz, fusion, classical, blues, and Indian raga, and then seeking exclusivity in jazz and eastern music.  He has studied with Kelvyn Bell, Pat Martino, Jeff Slatnick (Ravi Shankar, Ali Akbar Khan), and Dr. Yusef Lateef . He has released 4 solo recordings, Life Experience, Rainy Afternoon Meditation, Dawoud & the New Culture Ensemble, and The Tao of Mystic Jaz.  He recently finished recording two side projects, a CD of poetry recited over electronic music, and one of experimental electronic music, and his latest CD is nearing completion.  Dawoud has composed and directed music for several plays and films, produced radio and cable television programs, written a textbook on music and a collection of poetry, and taught music privately at the Harlem School of the Arts and at the Bronx School of Music and Art. Dawoud's sitar was a revelation” (Benoir, World Beat Jazz Newsletter). For more information on Dawoud, visit www.mysticjaz.com.

Joe Exley tried the violin, clarinet, oboe, bassoon, and saxophone before finding his musical voice at age 15 in the tuba.  Always searching for ways to fit the tuba into situations where it might not normally be found led Joe to combine the tuba with electrification and slightly altered technique, melding it into a completely viable, acceptable, non-comedic, accessible commercial instrument that fits naturally into a talented rhythm section or as an interesting solo instrument.  An unexpected “sit-in” with with drummer Paul Wertico and his band opened up Joe’s ears and mind to endless possibilities, and gave him a glimpse of what he wanted the tuba to be.  While attending graduate school at Chicago’s Northwestern University, Joe became a busy freelance player in orchestras and chamber groups.  He has been recorded on TV themes; rock, jazz, folk and spoken word albums; and performed with many, including drummer Bernard Purdie, fellow tubists Howard Johnson and Joe Daly, trumpeter Orbert Davis, trombonist Josh Roseman, William Russo’s Chicago Jazz Ensemble, the Chicago Jazz Orchestra, and the Illinois Philharmonic.  He has had residencies at the Bravo! Colorado Vail Valley Music Festival and the Birch Creek Performance Center.  Joe also works as a composer, arranger, contractor and producer, receiving grants and commissions for both classical and jazz.  Currently residing in Harlem with his wife and cats, Joe can be found playing on many diverse projects with many great folks as well as leading his own bands, such as  TubaJoe's TUBA LOVE, which recently began a regular gig at The Knitting Factory.  For more information, visit www.tubajoe.com.

William Ruiz, percussion, is one of today's most talented modern improvisational world music artists.  Based in NYC, this young spirited Native American (Taino) and Spanish Puerto Rican artist is the creative force behind a unique blend of improvisational world tribal percussion sounds.  His tribal drum set and the 12 tongue modern Log drum are guaranteed crowd pleasers.  Ruiz’s music can be found on many independent film soundtracks and commercials, including the 2003 documentary, Pieces of Courage / In Search of My Cultural Heroes, featuring John Leguizamo.  He was interviewed by CNN in 2002 about his efforts toward preserving the music of indigenous tribes, and performed live on Diplomatic License.  He has two recordings, In New York, featuring his Gray Wolf Ensemble, and Live At Cipriani, featuring his Brown Bear Trio.  Upcoming projects include a solo recording, produced by Amira Ruiz, a duo recording with Puerto Rican composer, trombonist, and percussionist William Cepeda, and a recording with Grupo Afro Boricua, produced by William Cepeda.  For more information, visit www.williamruiz.net.

Golda Solomon, “the medicine woman of jazz,” is a professor of communications, speech, and theater arts; a poet, performer, producer, and docent; a supporter of women musicians as well as young musicians, poets, and performers.  She was project director of Po’Jazz at The Hudson Valley Writers’ Center for four years, and co-founded the brooklyn poetry choir.  Golda has pioneered several unique businesses including JazzJaunts, a personalized jazz service, and, with Barbara Sfraga, ICAAN (Interactive Communication and Arts Network), which provides innovative, on-site, organization-specific arts programming to workplaces, schools, and other organizations.  Golda has a collection of poetry, Flatbush Cowgirl, published in 1999, for which she co-produced a companion CD, First Set.  She also co-produced the CD Po’Jazz: Takin’ It To The Hollow, which includes over 20 poets and musicians.  In 2002, Golda's poetry won first prize at the Writer's Workshop in Asheville, North Carolina.  Her book and CDs are available on www.amazon.com and www.jazzjaunts.com.